A lot of mastering engineers are afraid to make drastic changes to a mix they are working on. That, or they're stuck in the familiarity of always making only small changes.
In this video I show how you can turn a weak mix (definitely wouldn't call it bad) into a great sounding master, simply by pushing your levels a little more than you might be used to.
Don't spend 1-2 years (please never), 6 months, or even 6 weeks learning how to professionally master audio. Not to mention waste a ton of money too. Not when I can show you EVERYTHING you need to know in ONLY TWO HOURS with my Audio Mastering Secrets Video Series!
Why do songs need to be mastered? I've seen this question on the Internet many times.The answer I always see is "Because all songs on the radio have been professionally mastered, yours should be too."This is a true fact, but not an answer.
The vibrato and tremolo effects both have their differences. But the vibrato and tremolo effects also sound very similar; both slightly wave and pulsate the pitch of an audio track. You have to hear it for yourself to understand the sound.
Here are the series of audio mastering software processors I've used on the over 30,000 songs I've mastered since 1999. In this video, I use mostly izotope ozone plugins because it's easier to explain using them. In real-life, I do mix in a few hardware pieces, and a waves plugin.
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!
I would say YES, most people can become a great mastering engineer. I say this because most of the mixes I receive from clients are pretty good and I know the audio engineer (the band member with a computer) has only minimal training.He could easily be great if he put a little more study and practice time into it.And if he had this book to teach him what took me over 17 years to learn!Ha!
In this video I do a quick A/B comparison of a few songs. In my audio mastering secrets video series, I get a lot more in-depth into exactly what you are trying to achieve sonically for your genre/style of music.
How to set mixing levels for each instrument is a question I see all over the Internet. I'm going to explain exactly how to set mixing levels in this article.
The sound engineer scam, the online recording studio ripoff, whatever you want to call it. I hear about it 3-4 times a month from my clients, since 1999. It never changes!
Correctly setting your mixing levels before mastering is essential for great mastering results. Having the best DB levels for mixing is critical. Here's how to properly do it!
How much headroom before mastering should you leave in your mix? Here's the correct amount of headroom you should leave, using detailed graphic examples.
Would you like to know how to master a song or how to master your own music? So many people think just making the volumes the same level for every song is "mastering" their CD. Well, mastering is a lot more than just that!
I started my career using the old analog stuff, since that was the only option.I incorporated digital software plugins as soon as they became available, but it took many years before computers were fast enough to run them in realtime.And also before they started making very high quality plugins.
This article discusses what is the reverb effect in music and how to use it?The reverb effect is used to simulate space. When reverb is applied to a dry vocal or instrument track, it will sound like it was recorded live in the space size that was selected on the processor. Common space size options include a small room, vocal plate, large hall, etc.
