Stereo Widening Techniques | How To Use Stereo Widening In Mastering Music
Written by John Rogers
Here are a few great stereo widening techniques and how to use them in music. When you listen to music on a car radio, you want that wide stereo sound that extends from the left door to the right. Not just two feet wide right above the stereo!
The stereo widening effect simply increases the perceived stereo width of a track or entire song. This is basically done by changing the phase, character and/or adding a delay to the left and right channels of the input signal.
Some stereo widening processors can also add side coding to a track, which allows it to turn a mono audio track into a stereo track.
Common Uses Of The Stereo Widening Effect In Mixing
Not much to explain here. You either want an individual track or an entire song to sound wider.
Basic Stereo Widening Effect Techniques, Tips, And Tricks
When it comes to expanding the stereo field for an entire song, nothing beats good arranging, panning and proper use of effects to enhance the stereo field of the mix.
I personally use stereo widening on every project during mixing and mastering. Usually sparingly, but I do use it.
But, don’t think just using a stereo widener on your song at the end is the secret weapon to getting that full stereo sound.
The problem - When used heavy, many processors starts to make the center of the song sound in stereo too. Which means your lead vocal and kick drum are in stereo. Not good.
It also doesn’t do a great job turning a mono track into a stereo track. It won’t give you that true sounding stereo width. It’s best to re-record the performance and then pan the two performances left and right.
Since the begining of his solo career in 2008, I mastered over 80 songs with the top French recording artist NYLS. Great pop dance music with a lot of remixes. During his entire career (as of now), I mastered most of if not all the song he released. It was a great pleasure working with NYLS and Nico at Icon Records!
I started my career using the old analog stuff, since that was the only option.I incorporated digital software plugins as soon as they became available, but it took many years before computers were fast enough to run them in realtime.And also before they started making very high quality plugins.
The vibrato and tremolo effects both have their differences. But the vibrato and tremolo effects also sound very similar; both slightly wave and pulsate the pitch of an audio track. You have to hear it for yourself to understand the sound.
This article discusses what is the chorus effect in music and how to use it? The chorus effect makes a single audio track sound like a group. It achieves this by taking a single instrument or vocal track, multiplying it, and then slightly detunes each newly created track. The result is a fuller lush sounding audio track.
In this video I do a quick A/B comparison of a few songs. In my audio mastering secrets video series, I get a lot more in-depth into exactly what you are trying to achieve sonically for your genre/style of music.
I had to write a quick note on this, as I was reminded about it while thumbing through a popular mixing book that had a 15 page section on speaker resonance and room sound proofing.I must say, a very exciting 15 pages!Ha!
Why do songs need to be mastered? I've seen this question on the Internet many times.The answer I always see is "Because all songs on the radio have been professionally mastered, yours should be too."This is a true fact, but not an answer.
I would say YES, most people can become a great mastering engineer. I say this because most of the mixes I receive from clients are pretty good and I know the audio engineer (the band member with a computer) has only minimal training.He could easily be great if he put a little more study and practice time into it.And if he had this book to teach him what took me over 17 years to learn!Ha!